The death of Charles III in 1788, a few months before the outbreak of the French Revolution, brought to an end the period of comparative prosperity and enlightenment in which Goya reached maturity. The stiff elegance of the figures in full-length portraits of society ladies, such as The Marquesa de Pontejos, and the fluent painting of their elaborate costumes also relates them to Velázquez’s court portraits, and his representation of Charles III as Huntsman is based directly on Velázquez’s royal huntsmen.įrancisco Goya: De que mal morira? ( Of What Ill Will He Die?) To this decade belong his earliest known portraits of court officials and members of the aristocracy, whom he represented in conventional 18th-century poses. In 1785 he was appointed deputy director of painting at the Academy and in the following year painter to the king, Charles III. In 1780 Goya was elected a member of the Royal Academy of San Fernando, Madrid, his admission piece being a Christ on the Cross, a conventional composition in the manner of Mengs but painted in the naturalistic style of Velázquez’s Christ on the Cross, which he doubtless knew. Rembrandt’s etchings were doubtless a source of inspiration for his later drawings and engravings, while the paintings of Velázquez directed him to the study of nature and taught him the language of realism. Later in life he is said to have acknowledged three masters: Velázquez, Rembrandt, and, above all, nature. The later cartoons reflect his growing independence of foreign traditions and the development of an individual style, which began to emerge through his study of the paintings of the 17th-century court painter Diego Velázquez in the royal collection, many of which he copied in etchings (c. In Goya’s early cartoons the influence of Tiepolo’s decorative style is modified by the teachings of Mengs, particularly his insistence on simplicity. These paintings of scenes of contemporary life, of aristocratic and popular pastimes, were begun under the direction of the German artist Anton Raphael Mengs, a great exponent of Neoclassicism who, after Tiepolo’s death, had become undisputed art dictator at the Spanish court.
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Goya’s career at court began in 1775, when he painted the first of a series of more than 60 cartoons (preparatory paintings), on which he was engaged until 1792, for the Royal Tapestry Factory of Santa Bárbara.
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